A blog dedicated to providing quotes by and posts relating to one of the most influential (and quotable!) authors of the twentieth century, G.K. Chesterton (1874-1936). If you do not know much about GKC, I suggest visiting the webpage of the American Chesterton Society as well as this wonderful Chesterton Facebook Page by a fellow Chestertonian

I also have created a list detailing examples of the influence of Chesterton if you are interested, that I work on from time to time.

(Moreover, for a list of short GKC quotes, I have created one here, citing the sources)

"...Stevenson had found that the secret of life lies in laughter and humility."

-Heretics (1905)

Finally, not directly Chesterton related, but I highly recommend the following websites

M.G.D.'s website is where you can learn the latest concerning the Marcus series of novels, as well as other great writing!

Mardi Robyn, run by my great friend Mardi, is an excellent site for handmade jewelry and accessories that you'll love! Also make sure to visit Rockin' Robyn Boutique

Please make sure to visit those sites! (And remember, it is very Chestertonian to support small businesses!)

Tuesday, May 10, 2011

George Bernard Shaw's review of GKC's first play Magic

George Bernard Shaw, himself a famous playwright, of course, in a review (which appeared in the May 13, 1916 edition of the New Statesman) of Julius West's G.K. Chesterton: A Critical Study, in which Shaw describes his thoughts on Chesterton's play Magic (You can read Magic at this link.)

I agree very heartily with Mr. West as to Mr. Chesterton's success in his single essay as a playwright. I shirk the theatre so lazily that I have lost the right to call myself a playgoer; but circumstances led to my seeing Magic performed several times, and I enjoyed it more and more every time. Mr. Chesterton was born with not only brains enough to see something more in the world than sexual intrigue, but with all the essential tricks of the stage at his fingers' ends; and it was delightful to find that the characters which seem so fantastic and even ragdolly (stage characters are usually waxdolly) in his romances became credible and solid behind the footlights, just the opposite of what his critics expected. The test is a searching one; an exposure to it of many moving and popular scenes in novels would reveal the fact that they are physically impossible and morally absurd. Mr Chesterton is in the English tradition of Shakespeare and Fielding and Scott and Dickens, in which you must grip your character so masterfully that you can play with it in the most extravagant fashion...The Duke in Magic is much better than Micawber or Mrs. Wilfer, neither of whom can bear the footlights because, like piping bullfinches, they have only one tune, whilst the Duke sets everything in the universe to his ridiculous music. That is the Shakespearian touch. Is it grateful to ask for more?

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