[P]rogress ought to be based on principle [...] our modern progress is mostly based on precedent. We go, not by what may be affirmed in theory, but by what has been already admitted in practice.

-What's Wrong With the World (1910)

This is the arresting and dominant fact about modern social discussion; that the quarrel is not merely about the difficulties, but about the aim. We agree about the evil; it is about the good that we should tear each other's eyes out. We all admit that a lazy aristocracy is a bad thing. We should not by any means all admit that an active aristocracy would be a good thing. We all feel angry with an irreligious priesthood; but some of us would go mad with disgust at a really religious one. Everyone is indignant if our army is weak, including the people who would be even more indignant if it were strong. The social case is exactly the opposite of the medical case. We do not disagree, like doctors, about the precise nature of the illness, while agreeing about the nature of health. On the contrary, we all agree that England is unhealthy, but half of us would not look at her in what the other half would call blooming health . Public abuses are so prominent and pestilent that they sweep all generous people into a sort of fictitious unanimity. We forget that, while we agree about the abuses of things, we should differ very much about the uses of them. Mr. Cadbury and I would agree about the bad public house. It would be precisely in front of the good public-house that our painful personal fracas would occur.

I maintain, therefore, that the common sociological method is quite useless: that of first dissecting abject poverty or cataloguing prostitution. We all dislike abject poverty; but it might be another business if we began to discuss independent and dignified poverty. We all disapprove of prostitution; but we do not all approve of purity. The only way to discuss the social evil is to get at once to the social ideal. We can all see the national madness; but what is national sanity? I have called this book "What Is Wrong with the World?" and the upshot of the title can be easily and clearly stated. What is wrong is that we do not ask what is right.

-What's Wrong With the World (1910)

All modern thinkers are reactionaries; for their thought is always a reaction from what went before.

-What's Wrong With the World (1910)

Now this is the attitude which I attack. It is the huge heresy of Precedent. It is the view that because we have got into a mess we must grow messier to suit it; that because we have taken a wrong turn some time ago we must go forward and not backwards; that because we have lost our way we must lose our map also; and because we have missed our ideal, we must forget it.

-What's Wrong With the World (1910)

Modern education means handing down the customs of the minority, and rooting out the customs of the majority. [...] the poor have imposed on them mere pedantic copies of the prejudices of the remote rich.

-What's Wrong With the World (1910)

The trouble in too many of our modern schools is that the State, being controlled so specially by the few, allows cranks and experiments to go straight to the schoolroom when they have never passed through the Parliament, the public house, the private house, the church, or the marketplace. Obviously, it ought to be the oldest things that are taught to the youngest people; the assured and experienced truths that are put first to the baby. But in a school to-day the baby has to submit to a system that is younger than himself. The flopping infant of four actually has more experience, and has weathered the world longer, than the dogma to which he is made to submit. Many a school boasts of having the last ideas in education, when it has not even the first idea; for the first idea is that even innocence, divine as it is, may learn something from experience. But this, as I say, is all due to the mere fact that we are managed by a little oligarchy; my system presupposes that men who govern themselves will govern their children. To-day we all use Popular Education as meaning education of the people. I wish I could use it as meaning education by the people.

-What's Wrong With the World (1910)

Only by the hypocritical ignoring of a huge fact can any one contrive to talk of "free love"; as if love were an episode like lighting a cigarette, or whistling a tune. Suppose whenever a man lit a cigarette, a towering genie arose from the rings of smoke and followed him everywhere as a huge slave. Suppose whenever a man whistled a tune he "drew an angel down" and had to walk about forever with a seraph on a string. These catastrophic images are but faint parallels to the earthquake consequences that Nature has attached to sex; and it is perfectly plain at the beginning that a man cannot be a free lover; he is either a traitor or a tied man.

-What's Wrong With the World (1910)

"To the Catholic every other daily act is dramatic dedication to the service of good or of evil."

When I wrote a little volume on my friend Mr. Bernard Shaw, it is needless to say that he reviewed it. I naturally felt tempted to answer and to criticise the book from the same disinterested and impartial standpoint from which Mr. Shaw had criticised the subject of it. I was not withheld by any feeling that the joke was getting a little obvious; for an obvious joke is only a successful joke; it is only the unsuccessful clowns who comfort themselves with being subtle. The real reason why I did not answer Mr. Shaw's amusing attack was this: that one simple phrase in it surrendered to me all that I have ever wanted, or could want from him to all eternity. I told Mr. Shaw (in substance) that he was a charming and clever fellow, but a common Calvinist. He admitted that this was true, and there (so far as I am concerned) is an end of the matter. He said that, of course, Calvin was quite right in holding that "if once a man is born it is too late to damn or save him." That is the fundamental and subterranean secret; that is the last lie in hell.

The difference between Puritanism and Catholicism is not about whether some priestly word or gesture is significant and sacred. It is about whether any word or gesture is significant and sacred. To the Catholic every other daily act is dramatic dedication to the service of good or of evil. To the Calvinist no act can have that sort of solemnity, because the person doing it has been dedicated from eternity, and is merely filling up his time until the crack of doom. The difference is something subtler than plum-puddings or private theatricals; the difference is that to a Christian of my kind this short earthly life is intensely thrilling and precious; to a Calvinist like Mr. Shaw it is confessedly automatic and uninteresting. To me these threescore years and ten are the battle. To the Fabian Calvinist (by his own confession) they are only a long procession of the victors in laurels and the vanquished in chains. To me earthly life is the drama; to him it is the epilogue. Shavians think about the embryo; Spiritualists about the ghost; Christians about the man. It is as well to have these things clear.

[...] These essential Calvinists have, indeed, abolished some of the more liberal and universal parts of Calvinism, such as the belief in an intellectual design or an everlasting happiness. But though Mr. Shaw and his friends admit it is a superstition that a man is judged after death, they stick to their central doctrine, that he is judged before he is born.

-What's Wrong With the World (1910)

"The king was whipped in the cathedral, a performance which I recommend to those who regret the unpopularity of church-going."

When four knights scattered the blood and brains of St. Thomas of Canterbury, it was not only as sign of anger but a sort of black admiration. They wished for his blood, but the wished even more for his brains. Such a blow will remain forever unintelligible unless we realize what the brains of St. Thomas were thinking about just before they were distributed over the floor. They were thinking about the great mediaval conception that the church is the judge of the world. Becket objected to a priest being tried even by the Lord Chief Justice. And his reason was simple: because the Lord Chief Justice was being tried by the priest. The judiciary was itself sub judice. The kings were themselves in the dock. The idea was to create an invisible kingdom, without armies or prisons, but with complete freedom to condemn publicly all the kingdoms of the earth. Whether such a supreme church would have cured society we cannot affirm definitely; because the church was never a supreme church. We only know that in England at any rate the princes conquered the saints. What the world wanted we see before us; and some of us call it a failure. But we cannot call what the church wanted a failure, simply because the church failed. Tracy struck a little too soon. England had not yet made the great Protestant discovery that the king can do no wrong. The king was whipped in the cathedral, a performance which I recommend to those who regret the unpopularity of church-going. But the discovery was made, and Henry VIII scattered Becket's bones as easily as Tracy has scattered his brains.

What's Wrong With the World (1910)

...the special joy of man is limited creation, the combination of creation with limits. Man's pleasure, therefore, is to possess conditions, but also to be partly possessed by them; to be half-controlled by the flute he plays or by the field he digs. The excitement is to get the utmost out of given conditions; the conditions will stretch, but not indefinitely... because he is not God, but only a graven image of God, his self-expression must deal with limits; properly with limits that are strict and even small.

-What's Wrong With the World (1910)

There is no such thing as fighting on the winning side: one fights to find out which is the winning side.

-What's Wrong With the World (1910)

There are only two kinds of social structure conceivable-- personal government and impersonal government. If my anarchic friends will not have rules--they will have rulers. Preferring personal government, with its tact and flexibility, is called Royalism. Preferring impersonal government, with its dogmas and definitions, is called Republicanism. Objecting broadmindedly both to kings and creeds is called Bosh; at least, I know no more philosophic word for it. You can be guided by the shrewdness or presence of mind of one ruler, or by the equality and ascertained justice of one rule; but you must have one or the other, or you are not a nation, but a nasty mess.

-What's Wrong With the World (1910)

"The rich are always modern; it is their business."

The real power of the English aristocrats has lain in exactly the opposite of tradition. The simple key to the power of our upper classes is this: that they have always kept carefully on the side of what is called Progress. They have always been up to date, and this comes quite easy to an aristocracy. For the aristocracy are the supreme instances of that frame of mind of which we spoke just now. Novelty is to them a luxury verging on a necessity. They, above all, are so bored with the past and with the present, that they gape, with a horrible hunger, for the future.

But whatever else the great lords forgot they never forgot that it was their business to stand for the new things, for whatever was being most talked about among university dons or fussy financiers. Thus they were on the side of the Reformation against the Church, of the Whigs against the Stuarts, of the Baconian science against the old philosophy, of the manufacturing system against the operatives, and (to-day) of the increased power of the State against the old-fashioned individualists. In short, the rich are always modern; it is their business.

 -What's Wrong With the World (1910)

(H/T to this Facebook page )

"I can make the future as narrow as myself; the past is obliged to be as broad and turbulent as humanity."

The future is a refuge from the fierce competition of our forefathers...It is pleasant to play with children, especially unborn children. The future is a blank wall on which every man can write his own name as large as he likes; the past I find already covered with illegible scribbles, such as Plato, Isaiah, Shakespeare, Michael Angelo, Napoleon. I can make the future as narrow as myself; the past is obliged to be as broad and turbulent as humanity. And the upshot of this modern attitude is really this: that men invent new ideals because they dare not attempt old ideals. They look forward with enthusiasm, because they are afraid to look back.

-What's Wrong With the World (1910)

Man has always lost his way. He has been a tramp ever since Eden; but he always knew, or thought he knew, what he was looking for. Every man has a house somewhere in the elaborate cosmos; his house waits for him waist deep in slow Norfolk rivers or sunning itself upon Sussex downs. Man has always been looking for that home which is the subject matter of this book. But in the bleak and blinding hail of skepticism to which he has been now so long subjected, he has begun for the first time to be chilled, not merely in his hopes, but in his desires. For the first time in history he begins really to doubt the object of his wanderings on the earth. He has always lost his way; but now he has lost his address.

-What's Wrong With the World (1910)

"...in everything worth having, even in every pleasure, there is a point of pain or tedium that must be survived, so that the pleasure may revive and endure."

Nevertheless, the overwhelming mass of mankind has not believed in freedom in this matter [of marriage], but rather in a more or less lasting tie. Tribes and civilizations differ about the occasions on which we may loosen the bond, but they all agree that there is a bond to be loosened, not a mere universal detachment. For the purposes of this book I am not concerned to discuss that mystical view of marriage in which I myself believe: the great European tradition which has made marriage a sacrament. It is enough to say here that heathen and Christian alike have regarded marriage as a tie; a thing not normally to be sundered. Briefly, this human belief in a sexual bond rests on a principle of which the modern mind has made a very inadequate study. It is, perhaps, most nearly paralleled by the principle of the second wind in walking.

 The principle is this: that in everything worth having, even in every pleasure, there is a point of pain or tedium that must be survived, so that the pleasure may revive and endure. The joy of battle comes after the first fear of death; the joy of reading Virgil comes after the bore of learning him; the glow of the sea-bather comes after the icy shock of the sea bath; and the success of the marriage comes after the failure of the honeymoon. All human vows, laws, and contracts are so many ways of surviving with success this breaking point, this instant of potential surrender.

In everything on this earth that is worth doing, there is a stage when no one would do it, except for necessity or honor. It is then that the Institution upholds a man and helps him on to the firmer ground ahead. Whether this solid fact of human nature is sufficient to justify the sublime dedication of Christian marriage is quite an other matter, it is amply sufficient to justify the general human feeling of marriage as a fixed thing, dissolution of which is a fault or, at least, an ignominy. The essential element is not so much duration as security. Two people must be tied together in order to do themselves justice; for twenty minutes at a dance, or for twenty years in a marriage In both cases the point is, that if a man is bored in the first five minutes he must go on and force himself to be happy. Coercion is a kind of encouragement; and anarchy (or what some call liberty) is essentially oppressive, because it is essentially discouraging. If we all floated in the air like bubbles, free to drift anywhere at any instant, the practical result would be that no one would have the courage to begin a conversation. It would be so embarrassing to start a sentence in a friendly whisper, and then have to shout the last half of it because the other party was floating away into the free and formless ether. The two must hold each other to do justice to each other. If Americans can be divorced for "incompatibility of temper" I cannot conceive why they are not all divorced. I have known many happy marriages, but never a compatible one. The whole aim of marriage is to fight through and survive the instant when incompatibility becomes unquestionable. For a man and a woman, as such, are incompatible.

-What's Wrong With the World (1910)

"Thrift is poetic because it is creative; waste is unpoetic because it is waste."

Thrift is the really romantic thing; economy is more romantic than extravagance. Heaven knows I for one speak disinterestedly in the matter; for I cannot clearly remember saving a half-penny ever since I was born. But the thing is true; economy, properly understood, is the more poetic. Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare. When science began to use by-products; when science found that colors could be made out of coaltar, she made her greatest and perhaps her only claim on the real respect of the human soul.

-What's Wrong With the World (1910)

...the luxurious man...dictates the tone of nearly all "advanced" and "progressive" thought...

-What's Wrong With the World (1910)

"Christ knew that it would be a more stunning thunderbolt to fulfil the law than to destroy it."

Now I have no notion at all of propounding a new ideal. There is no new ideal imaginable by the madness of modern sophists, which will be anything like so startling as fulfilling any one of the old ones. On the day that any copybook maxim is carried out there will be something like an earthquake on the earth. There is only one thing new that can be done under the sun; and that is to look at the sun. If you attempt it on a blue day in June, you will know why men do not look straight at their ideals. There is only one really startling thing to be done with the ideal, and that is to do it. It is to face the flaming logical fact, and its frightful consequences. Christ knew that it would be a more stunning thunderbolt to fulfil the law than to destroy it. It is true of both the cases I have quoted, and of every case. The pagans had always adored purity: Athena, Artemis, Vesta. It was when the virgin martyrs began defiantly to practice purity that they rent them with wild beasts, and rolled them on red-hot coals. The world had always loved the notion of the poor man uppermost; it can be proved by every legend from Cinderella to Whittington, by every poem from the Magnificat to the Marseillaise. The kings went mad against France not because she idealized this ideal, but because she realized it. Joseph of Austria and Catherine of Russia quite agreed that the people should rule; what horrified them was that the people did. The French Revolution, therefore, is the type of all true revolutions, because its ideal is as old as the Old Adam, but its fulfilment almost as fresh, as miraculous, and as new as the New Jerusalem.

 But in the modern world we are primarily confronted with the extraordinary spectacle of people turning to new ideals because they have not tried the old. Men have not got tired of Christianity; they have never found enough Christianity to get tired of. Men have never wearied of political justice; they have wearied of waiting for it.

-What's Wrong With the World (1910)

"Now most modern freedom is at root fear."

Now most modern freedom is at root fear. It is not so much that we are too bold to endure rules; it is rather that we are too timid to endure responsibilities.

-What's Wrong With the World (1910)