A blog dedicated to providing quotes by and posts relating to one of the most influential (and quotable!) authors of the twentieth century, G.K. Chesterton (1874-1936). If you do not know much about GKC, I suggest visiting the webpage of the American Chesterton Society as well as this wonderful Chesterton Facebook Page by a fellow Chestertonian

I also have created a list detailing examples of the influence of Chesterton if you are interested, that I work on from time to time.

(Moreover, for a list of short GKC quotes, I have created one here, citing the sources)

"...Stevenson had found that the secret of life lies in laughter and humility."

-Heretics (1905)
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Tuesday, January 1, 2019

Guy Fawkes

I am not sure who it is who holds the cup or shield for this season as being the historical character who really wrote Shakespeare. I mean in that world of learned disputants who only agree on the first principle that Shakespeare could not write Shakespeare. [...] Personally, I believe the plays were written by Guy Fawkes. The proofs are innumerable. I have not even attempted to number them-or, as yet, to think of them. But I am sure there are a great many; there always are. Even at the moment, for instance, it occurs to me as significant that Shakespeare is criticised for one particular anachronism. He is criticised for having introduced gunpowder into an ancient Roman play. Guy Fawkes, no doubt, could not enjoy or even imagine any play without gunpowder. Moreover, Shakespeare's ancient Roman plays are full of the idea of revolution and civil war; and in such an excitement the great conspirator would have been carried away by his monomania and let off his fireworks almost without knowing it. Then there thronged to my support all the many arguments adduced to show that Shakespeare was of the old religion, or at least had some tenderness for it. It is no longer surprising that the dramatist should have a weakness for Friars. It is not unnatural that Guy Fawkes should make the Ghost testify quite clearly to Purgatory and the Sacrament of Penance. The preoccupation of the dramatist with palace revolutions and the murder of Princes is notorious. The true Bacanonian-or rather Post-Baconian-critic would not stop here. He would show an unexpected meaning in all the passages which have hitherto been dismissed as no better than mere masterpieces of literature. "Out, out, brief candle," would obviously refer to some experience in the vaults. And that vision of radiant dissolution, in which the cloud-capped towers, the gorgeous palaces, leave not a wrack behind, expresses in anticipation the dizzy exultation at the destruction of Parliament. Nothing more is needed but a cryptogram-and anybody can find that.

[..] My suggestion about Guy Fawkes will hardly be given its due weight by serious scholars, I fear; and some may even suspect me of a lack of sympathy with this critical method.
-December 13, 1924, Illustrated London News

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