A blog dedicated to providing quotes by and posts relating to one of the most influential (and quotable!) authors of the twentieth century, G.K. Chesterton (1874-1936). If you do not know much about GKC, I suggest visiting the webpage of the American Chesterton Society as well as this wonderful Chesterton Facebook Page by a fellow Chestertonian

I also have created a list detailing examples of the influence of Chesterton if you are interested, that I work on from time to time.

(Moreover, for a list of short GKC quotes, I have created one here, citing the sources)

"...Stevenson had found that the secret of life lies in laughter and humility."

-Heretics (1905)

Finally, not directly Chesterton related, but I highly recommend the following websites

M.G.D.'s website is where you can learn the latest concerning the Marcus series of novels, as well as other great writing!

Mardi Robyn, run by my great friend Mardi, is an excellent site for handmade jewelry and accessories that you'll love! Also make sure to visit Rockin' Robyn Boutique

Please make sure to visit those sites! (And remember, it is very Chestertonian to support small businesses!)

Sunday, May 12, 2013

"How to Write a Novel"

A series is issued entitled the "How To" series. It teaches in one volume "How to Choose Your Banker,'' in another "How to Dine in Paris," and in a third, which now lies before us, "How to Write a Novel." It never seems to strike the writers of this school that there is some difference between the psychological profundity and delicacy of choosing your banker and that of choosing your idea. An idea is a nameless thing; it melts into all other ideas, whereas a banker is detachable and does not melt into any one. The same is true, though in a lesser degree, of the comparison which the author makes in his first chapter. He says, with some apparent reason, that as painting and sculpture require training on fixed lines there is no reason why such training should not be given in fiction. Surely the answer is distinct. Fiction is more dark and chaotic than painting because, though both arts symbolise spiritual conditions, painting employs as its symbol the bodily form, which has been measured, while fiction employs as its symbol the thoughts and actions which have never been measured. Painting deals with what a man looks like, which we can all know; fiction deals with what he means, which he generally does not know himself. It is not possible to know how many thoughts a man has; it is possible to know, with reasonable industry, how many legs he has.

-March 23, 1901, The Speaker