A blog dedicated to providing quotes by and posts relating to one of the most influential (and quotable!) authors of the twentieth century, G.K. Chesterton (1874-1936). If you do not know much about GKC, I suggest visiting the webpage of the American Chesterton Society as well as this wonderful Chesterton Facebook Page by a fellow Chestertonian

I also have created a list detailing examples of the influence of Chesterton if you are interested, that I work on from time to time.

(Moreover, for a list of short GKC quotes, I have created one here, citing the sources)

"...Stevenson had found that the secret of life lies in laughter and humility."

-Heretics (1905)
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Sunday, January 17, 2016

Some time ago, when a stir was made by a rather striking book called Who Moved the Stone? which might almost be described, with all reverence, as a divine detective story and almost a theological thriller, a pugnacious little paper in Fleet Street made a remark which has always hovered in my memory as more mysterious than any mystery story in the world. The writer said that any man who believes in the Resurrection is bound to believe also in the story of Aladdin in the Arabian Nights. I have no idea what he meant. Nor, I imagine, had he. But this curious conjunction of ideas recurs to my mind in connexion with a rather interesting suggestion made by Mr. Christopher Dawson about what we may call the History of Science. On the face of it, the remark I have quoted from the pugnacious paper seems to have no quality whatever except pugnacity. There is no sort of logical connexion between believing in one marvellous event and believing in another, even if they were exactly alike and not utterly different. If I believe that Captain Peary reached the North Pole, I am not therefore bound to believe that Dr. Cook also reached the North Pole, even if they both arrived with sledges and dogs out of the same snows. It is a fallacy, therefore, even where the two things are close enough to be compared. But the comparison between the Gospel miracle and the Arabian fairy-tale is about the most unfortunate comparison in the world. For in the one case there is a plain and particular reason for thinking the thing true, or at least meant to be true. And in the other case there is a plain and particular reason for realizing that the tale is not only untrue, but is not even meant to be true.

The historical case for the Resurrection is that everybody else, except the Apostles, had every possible motive to declare what they had done with the body, if anything had been done with it. The Apostles might have hidden it in order to announce a sham miracle, but it is very difficult to imagine men being tortured and killed for the truth of a miracle which they knew to be a sham. In the case of the Apostles’ testimony, the general circumstances suggest that it is true. In the case of the Arabian tale, the general circumstances avow and proclaim that it is false. For we are told in the book itself that all the stories were told by a woman merely to amuse the king and distract his attention from the idea of cutting off her head. A romancer in this personal situation is not very likely to confine herself strictly to humdrum accuracy, and it would be impossible more plainly to warn the reader that all the tales are taradiddles. In the one case, then, we have witnesses who not only think the thing true, but do veritably think it is as true as death, or truer than death. They therefore prefer death to the denial of its truth. In the other case we have a story-teller who, in trying to avoid death, has every motive to tell lies. If St. John the Baptist had wished to avoid being beheaded, and had saved his life by inventing a long string of Messianic or Early Christian legends on the spur of the moment, in order to hold the attention of King Herod, I should not regard any “resurrection myth” he might tell as a strong historical argument for the Resurrection. But, as the Apostles were killed as St. John was killed, I think their evidence cannot be identified by sound scholarship as a portion of the Arabian Nights.
-As I Was Saying (1936)

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