"We believe that you can have too much of a good thing -- a blasphemous belief, which at one blow wrecks all the heavens that men have hoped for."

To every man alive, one must hope, it has in some manner happened that he has talked with his more fascinating friends round a table on some night when all the numerous personalities unfolded themselves like great tropical flowers. All fell into their parts as in some delightful impromptu play. Every man was more himself than he had ever been in this vale of tears. Every man was a beautiful caricature of himself. The man who has known such nights will understand the exaggerations of "Pickwick." The man who has not known such nights will not enjoy "Pickwick" nor (I imagine) heaven. For, as I have said, Dickens is, in this matter, close to popular religion, which is the ultimate and reliable religion. He conceives an endless joy; he conceives creatures as permanent as Puck or Pan -- creatures whose will to live æons upon æons cannot satisfy. He is not come, as a writer, that his creatures may copy life and copy its narrowness; he is come that they may have life, and that they may have it more abundantly. It is absurd indeed that Christians should be called the enemies of life because they wish life to last for ever; it is more absurd still to call the old comic writers dull because they wished their unchanging characters to last for ever. Both popular religion, with its endless joys, and the old comic story, with its endless jokes, have in our time faded together. We are too weak to desire that undying vigour. We believe that you can have too much of a good thing -- a blasphemous belief, which at one blow wrecks all the heavens that men have hoped for. The grand old defiers of God were not afraid of an eternity of torment. We have come to be afraid of an eternity of joy. It is not my business here to take sides in this division between those who like life and long novels and those who like death and short stories; my only business is to point out that those who see in Dickens's unchanging characters and recurring catch-words a mere stiffness and lack of living movement miss the point and nature of his work. His tradition is another tradition altogether; his aim is another aim altogether to those of the modern novelists who trace the alchemy of experience and the autumn tints of character. He is there, like the common people of all ages, to make deities; he is there, as I have said, to exaggerate life in the direction of life. The spirit he at bottom celebrates is that of two friends drinking wine together and talking through the night. But for him they are two deathless friends talking through an endless night and pouring wine from an inexhaustible bottle.

-Charles Dickens (1906)