The Press is no longer holding up a dim or dusty or cracked mirror to the world; it is simply painting a sort of mad picture of the world, which is a pastiche of a hundred pictures of anything or nothing, most of them badly painted and all of them badly chosen

-February 15, 1930, G.K's Weekly

[H/T American Chesterton Society]

Princess Diana and Maurice Baring

From the latest issue of Gilbert (July/Aug 2017), this interesting fact concerning one of Chesterton's best friends (featured with him and Belloc in the painting The Conversation Piece), Maruice Baring

[...] Baring's sister, the Honorable Margaret Baring, was married to Charles Spencer, the 6th Earl Spencer, and their great-granddaughter was none other than Diana, Princess of Wales which makes Maurice Baring her great-great uncle.

James Mattis quoting GKC

Secretary of Defense James Mattis quoted GKC in the opening of a speech he gave last week:

Good morning, ladies and gentlemen. G.K. Chesterton once said: “Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. He must seek his life in a spirit of furious indifference to it; he must desire life like water, and yet drink death like wine.”

Senator Peters, Deputy Secretary Shanahan, Secretary Speer – wonderful words. General Milley, great words. Sergeant Major Dailey, but most of all, to Charlie Tigers and Specialist Five Jim McCloughan... Cherie, you married well to a most wonderful person. They met at the Messiah, a reminder for all you young troops to go to church. [Source]

 [H/T American Chesterton Society]

It is much more likely that people's favourite actor really is their favourite actor than the politician they support is really the politician they admire.

-Introduction to The New World of the Theatre

[H/T American Chesterton Society)

[...] of all poetical publications the most poetical is a daily paper. The real objection to a daily paper is, of course, that it is too poetical. It is congested with poetry. It is a chaos of stars and sunshine, a confusion of the flowers and the sea. It is two hundred splendid books mixed up at once; so that the reader of that bewildering masterpiece loses the thread of all of them. It is impossible at once to keep in tune with the pantomime of a Government inquiry and the tragedy of a suicide at Wandsworth; but surely this is not from any lack of poetry in them [...]

-October 1, 1903, Daily News

But the influence of children goes further than its first trifling effort of remaking heaven and earth. It forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things. We do (even when we are perfectly simple or ignorant)—we do actually treat talking in children as marvellous, walking in children as marvellous, common intelligence in children as marvellous. The cynical philosopher fancies he has a victory in this matter—that he can laugh when he shows that the words or antics of the child, so much admired by its worshippers, are common enough. The fact is that this is precisely where baby-worship is so profoundly right. Any words and any antics in a lump of clay are wonderful, the child's words and antics are wonderful, and it is only fair to say that the philosopher's words and antics are equally wonderful.

The truth is that it is our attitude towards children that is right, and our attitude towards grown-up people that is wrong. Our attitude towards our equals in age consists in a servile solemnity, overlying a considerable degree of indifference or disdain. Our attitude towards children consists in a condescending indulgence, overlying an unfathomable respect. We bow to grown people, take off our hats to them, refrain from contradicting them flatly, but we do not appreciate them properly. We make puppets of children, lecture them, pull their hair, and reverence, love, and fear them. When we reverence anything in the mature, it is their virtues or their wisdom, and this is an easy matter. But we reverence the faults and follies of children.

The Defendant (1901)

[Browning] had the one great requirement of a poet—he was not difficult to please. The life of society was superficial, but it is only very superficial people who object to the superficial. To the man who sees the marvellousness of all things, the surface of life is fully as strange and magical as its interior; clearness and plainness of life is fully as mysterious as its mysteries. The young man in evening dress, pulling on his gloves, is quite as elemental a figure as any anchorite, quite as incomprehensible, and indeed quite as alarming.

-Robert Browning (1903)

Romance, indeed, does not consist by any means so much in experiencing adventures as in being ready for them. How little the actual boy cares for incidents in comparison to tools and weapons may be tested by the fact that the most popular story of adventure is concerned with a man who lived for years on a desert island with two guns and a sword, which he never had to use on an enemy.

-Twelve Types (1902)

Only by the hypocritical ignoring of a huge fact can any one contrive to talk of "free love"; as if love were an episode like lighting a cigarette, or whistling a tune. Suppose whenever a man lit a cigarette, a towering genie arose from the rings of smoke and followed him everywhere as a huge slave. Suppose whenever a man whistled a tune he "drew an angel down" and had to walk about forever with a seraph on a string. These catastrophic images are but faint parallels to the earthquake consequences that Nature has attached to sex; and it is perfectly plain at the beginning that a man cannot be a free lover; he is either a traitor or a tied man.

-What's Wrong With the World (1910)

Artificial Conflict

But the main character of these questions is that they divide people wrongly. They set up an opposition that does not exist, and so avoid, very often, the formidable opposition that does exist. The nameless and ancestral enemy that desires to eat our swords with rust and seal our eyes with an evil slumber, the primal cowardice that is older than the hills, has no way more effective than this artificial conflict for bringing about its peace, the peace of Satan that passes all understanding. It desires a false unity; and to make assurance doubly sure, it creates a false division. It sets men fighting about nothing, lest they should fight about something. This is half the secret of the political aristocracy of England.

-December 16, 1905, Daily News

"...and perhaps it is a minor matter that it has ceased to be any good to anybody."

Practical men tell us that it is useless to cry over spilt milk [...] Anyhow, in the ordinary way unspilt milk has obviously more chance of remaining pure, but spilt milk has much more chance of becoming universal. To spill it is the way to spread it [...] It is the best course for the truly modernist milkman, who cannot consent to have his sacred element confined in narrow forms and limitations, in rigid cans and restricted jugs, but wishes it to flow forth freely and without limit, like a fountain in the public streets. By merely spilling the milk, the modernist will not, perhaps, make a fountain, but he will do what is more important to a modernist, he will make a splash. He will splash the milk far and wide, so as to cover a much larger area; possibly, also, so as to cover some of the passers-by, whose attention will thus be drawn to the incident. The milk of human kindness will be much more generally recognised when it is spilt than when it is imprisoned in a can- or a creed. It will have more appeal, more advertisement value, more publicity and big business methods. In short, the milk is more obvious to everybody; and perhaps it is a minor matter that it has ceased to be any good to anybody.

-December 20, 1924, Illustrated London News

Pickwick goes through life with that god-like gullibility which is the key to all adventures. The greenhorn is the ultimate victor in everything; it is he that gets the most out of life. Because Pickwick is led away by Jingle, he will be led to the White Hart Inn, and see the only Weller cleaning boots in the courtyard. Because he is bamboozled by Dodson and Fogg, he will enter the prison house like a paladin, and rescue the man and the woman who have wronged him most. His soul will never starve for exploits or excitements who is wise enough to be made a fool of. He will make himself happy in the traps that have been laid for him; he will roll in their nets and sleep. All doors will fly open to him who has a mildness more defiant than mere courage. The whole is unerringly expressed in one fortunate phrase -- he will be always "taken in." To be taken in everywhere is to see the inside of everything. It is the hospitality of circumstance. With torches and trumpets, like a guest, the greenhorn is taken in by Life. And the sceptic is cast out by it.

-Charles Dickens (1906)