Neil Gaiman on GKC

Neil Gaiman on GKC:

...The first Chesterton book I found there was The Complete Father Brown Stories....Chesterton was important — as important to me in his way as C.S. Lewis had been.

...I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.

Father Brown, that prince of humanity and empathy, was a gateway drug into the harder stuff, this being a one-volume collection of three novels: The Napoleon of Notting Hill (my favourite piece of predictive 1984 fiction, and one that hugely informed my own novel Neverwhere), The Man Who Was Thursday (the prototype of all Twentieth Century spy stories, as well as being a Nightmare, and a theological delight), and lastly The Flying Inn (which had some excellent poetry in it, but which struck me, as an eleven-year old, as being oddly small-minded. I suspected that Father Brown would have found it so as well.) Then there were the poems and the essays and the art.

Chesterton and Tolkien and Lewis were, as I’ve said, not the only writers I read between the ages of six and thirteen, but they were the authors I read over and over again; each of them played a part in building me. Without them, I cannot imagine that I would have become a writer, and certainly not a writer of fantastic fiction...

And without those three writers, I would not be here today...

Mythcon 35 Guest of Honor Speech