Friday, February 15, 2013

"Parody might indeed be defined as the worshipper's halfholiday."

The supreme proof of the fact that Bret Harte had the instinct of reverence may be found in the fact that he was a really great parodist. This may have the appearance of being a paradox, but, as in the case of many other paradoxes, it is not so important whether it is a paradox as whether it is not obviously true. Mere derision, mere contempt, never produced or could produce parody. A man who simply despises Paderewski for having long hair is not necessarily fitted to give an admirable imitation of his particular touch on the piano. If a man wishes to parody Paderewski's style of execution, he must emphatically go through one process first: he must admire it, and even reverence it. Bret Harte had a real power of imitating great authors, as in his parodies on Dumas, on Victor Hugo, on Charlotte Bronte. This means and can only mean that he had perceived the real beauty, the real ambition of Dumas and Victor Hugo and Charlotte Bronte.

...The wild sky-breaking humor of America has its fine qualities, but it must in the nature of things be deficient in two qualities of supreme importance—reverence and sympathy. Can any one imagine Mark Twain, that admirable author, writing even a tolerable imitation of authors so intellectually individual as Hugo or Charlotte Bronte? Mark Twain would yield to the spirit of contempt which destroys parody. All those who hate authors fail to satirize them, for they always accuse them of the wrong faults. The enemies of Thackeray call him a worldling, instead of what he was, a man too ready to believe in the goodness of the unworldly. The enemies of Meredith call his gospel too subtle, instead of what it is, a gospel, if anything, too robust. And it is this vulgar misunderstanding which we find in most parody—which we find in all American parody—but which we never find in the parodies of Bret Harte.

...This could only be written by a genuine admirer...who permitted himself for a moment to see the fun of the thing. Parody might indeed be defined as the worshipper's halfholiday

-Varied Types (1905)

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