...the man we see every day -- the worker in Mr.
Gradgrind's factory, the little clerk in Mr. Gradgrind's office -- he is too
mentally worried to believe in freedom. He is kept quiet with revolutionary
literature. He is calmed and kept in his place by a constant succession of wild
philosophies. He is a Marxian one day, a Nietzscheite the next day, a Superman
(probably) the next day; and a slave every day. The only thing that remains
after all the philosophies is the factory. The only man who gains by all the
philosophies is Gradgrind. It would be worth his while to keep his commercial
helotry supplied with sceptical literature. And now I come to think of it, of
course, Gradgrind is famous for giving libraries. He shows his sense. All
modern books are on his side. As long as the vision of heaven is always
changing, the vision of earth will be exactly the same. No ideal will remain
long enough to be realized, or even partly realized. The modern young man will
never change his environment; for he will always change his mind.
This, therefore, is our first requirement about the ideal towards which
progress is directed; it must be fixed. Whistler used to make many rapid
studies of a sitter; it did not matter if he tore up twenty portraits. But it
would matter if he looked up twenty times, and each time saw a new person
sitting placidly for his portrait. So it does not matter (comparatively
speaking) how often humanity fails to imitate its ideal; for then all its old
failures are fruitful. But it does frightfully matter how often humanity
changes its ideal; for then all its old failures are fruitless. The question
therefore becomes this: How can we keep the artist discontented with his
pictures while preventing him from being vitally discontented with his art? How
can we make a man always dissatisfied with his work, yet always satisfied with
working? How can we make sure that the portrait painter will throw the portrait
out of window instead of taking the natural and more human course of throwing
the sitter out of window?
-Orthodoxy (1908)
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