With Professor Dowden's forcible study of Bunyan no fault can be found, but in his long and able treatment of Milton we do not by any means always find ourselves in agreement with him. Especially we fail to follow his attempt to prove the spirit and theories of Paradise Lost to be mainly Hebraic and Scriptural. To our mind Lecky's European Morals and Dante's Divine Comedy are vastly more similar than the beauty of the Old Testament and the beauty of Paradise Lost. There are no theories in the Old Testament. The conception that gives a grand artistic unity to the Hebrew books, the conception of a great and mysterious protagonist toiling amid cloud and darkness towards an end of which only fragments are revealed to his agents, has no counterpart in Milton. The "With whom hath he taken counsel?" of the prophet is not there: the God of the Old Testament never explains himself intellectually; the God of Milton never does anything else. The much-quoted object "to justify the ways of God to men" would have appeared mere ridiculous blasphemy to Isaiah. This sublime Jewish sentiment of the loneliness of God ("I have trodden the wine-press alone and of the peoples there was no man with me") is perpetually violated in Milton, whose Deity is always clearing Himself from charges as if He were at the Old Bailey. The least superstitious of us can feel the thrill of the elemental faith of the Jews, can imagine a voice thundering out of the sky in mysterious wrath or more mysterious benediction. But who can help laughing at the idea of a voice out of the midnight sky suddenly beginning to explain itself and set right an unfortunate misunderstanding?
We wish that Professor Dowden had given the large space which he has devoted to defending the frigid and repellent Miltonic religion to a more exhaustive study of the towering and intoxicating Miltonic style. Poets commonly say something with their style vastly different and vastly superior to what they say with their mere meaning.
-December 15, 1900, The Speaker
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